Majda Bekkali

Enter Mon Nom est Rouge: same as with Biggazzi’s images, you can freeze-frame this fragrance’s development at any second – and it’s still a picture-perfect example of a perfectly composed, bathed in the right kind of all-natural light, bright focus on the main player – intricate but never too much – artistic type of wizardry. And it punctuates, with red, the whole tender love affair between incense and spices.